Je n´attends plus

A selection of Kentridge’s works on migration, oppression and race, in South Africa and beyond, culminating in his new opera on artists fleeing France during World War II

The publication Je n’attends plus presents an ensemble of South African artist William Kentridge’s (born 1955) major works, in conjunction with documentation of his new chamber opera, The Great Yes, The Great No, which had its world premiere at LUMA Arles in July 2024.