Fine Press Classics (Genesis, The Book of Jonas and The Song of Songs)

Each volume has been reproduced from a copy of the first edition and printed on Corolla Book Laid Ivory paper. The format is 10¼» × 7½». The editions are limited to 750 numbered copies. Accompanying each volume is a four-page essay by Sebastian Carter, formerly of the Rampant Lions Press, now editor of Parenthesis, the Journal of the Fine Press Book Association. These essays, specially commissioned for our facsimile editions, give essential background to each of the original publications. The solander boxes were designed for our facsimiles. They are bound in coloured papers and are inset with an engraving from the book. The front and spine of each solander is blocked in gold foil.

GENESIS
28 pages, set in Rudolf Koch’s Neuland type, with 12 wood engravings by Paul Nash, and printed in black ink throughout. Bound in black cloth blocked in gold with a burnt orange printed paper dust wrapper. Because of the heavy black illustrations and text, the pages are doubled over as ‘French folds’ to eliminate show-through, exactly as the first edition.

THE BOOK OF JONAH
20 pages, set in Caslon type, with 14 wood engravings by David Jones, and printed in black ink throughout. Bound in oatmeal cloth blocked in gold with a taupe printed paper dust wrapper.

THE SONG OF SONGS
44 pages, set in Caslon type, with 19 wood engravings by Eric Gill; printed in black ink with the title page illustration and some initial letters picked out in red. Bound in oatmeal cloth blocked in gold with a taupe printed paper dust wrapper.