TWO FRAME-FILMS

Primarily known for his film work, Luke Fowler’s Two-Frame Films explores the relationship between the artist and the still-image. Fowler uses a half-frame camera whose obsolescent format forces the printing of two images in one standard 35 mm frame. Considered as a whole, the paired images reveal an event unfolding – a meaningful narrative posed by photographic sets, sometimes close in temporal proximity (the blink of time passing, perhaps), while at other times, the intervals are more expansive, challenging the viewer to connect visible terminal points in a satisfying way.