Parresia y lugar

The concern for the space that inhabits the human being comes to the artist a long time ago, being reflected in this decade in the works that accompany, among other publications, Parresia and place: Somewhere, nowhere, where he will rethink the projects built by Le Corbusier. In them, Dionisio González realizes solutions of how they should have been, or as they should be from his thought, from his truth, these constructions, buildings, homes and houses. As Foucault said, “in parrhesia, the speaker – and in our case the artist – uses his freedom and chooses frankness instead of persuasion, truth instead of falsehood or silence, the risk of death instead of life and security, criticism instead of adulation and moral duty instead of self-interest and moral apathy. “