Hiroshi Sugimoto

Sugimoto, Hiroshi
Editorial: Hatje Cantz Verlag
Encuadernación: Hardcover
Idioma: English
Páginas: 400
Medidas: 20.70 x 20.80 cm

Genius of the large-format camera, the long exposure and the silverprint, New York-based photographer Hiroshi Sugimoto has made pictures that seem to contain whole aeons of time within themselves, and suggest an infinite palette of tonal wealth in blacks, grays and whites. Many of these images have now become a part of art culture’s popular image bank (as U2’s use of Sugimoto’s «Boden Sea» for the cover of their 2009 album, No Line on the Horizon, demonstrated), while simultaneously evoking photography’s earliest days: «I probably call myself a postmodern-experienced pre-postmodern modernist,» he once joked to an interviewer. This absolutely exquisite retrospective is an expanded edition of Hatje Cantz’s 2005 volume. It is the first to feature works from all of Sugimoto’s series to date: his celebrated portraits of wax figures, his incredible seascapes that seem to suggest a person’s first conscious view of the ocean, the extremely long exposures of theaters which elevate the white, luminescent cinema screen and transform it into a magical image of an altar and the fascinating dioramas of scientific display cases, which invite us to travel far into the past. Additions to the original edition are two new groups of works, «Lightning Fields» (2006) and «Photogenic Drawings» (2007).\nHiroshi Sugimoto was born and raised in Tokyo, Japan, where he studied politics and sociology at St. Paul’s University, later retraining as an artist at the Art Center College of Art and Design in Los Angeles, CA. He currently lives in New York City.\n\nHiroshi Sugimoto was born in Tokyo in 1948. He studied photography at the Center College of Design in Los Angeles before moving to New York in the 70s. His work has been exhibited internationally, including at the Berkeley Art Museum, California; the 10th Biennial of Sydney, Australia; capc MusEe de l’Art Contemporain, Bordeaux; the Carnegie International, Pittsburgh; the New Museum of Contemporary Art, New York; and The Museum of Modern Art, New York. –This text refers to an alternate Hardcover edition.

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